Bibliography

This is a working bibliography of the project, broken down into subject areas.

The Women’s Movement: Primary Sources

Dudar, Helen. “Women’s Lib: The War on “Sexism”.” Newsweek, March 23 1970 1970, 43-49.

Firestone, Shulamith. “‘The Ultimate Revolution: Demands and Speculations.’.” Chap. 175 – 216 In The Dialectic of Sex. 175 – 216. New York: Farrar, Straus and Giroux, 2003. Reprint, 2003.

———. “‘The Dialectic of Sex.’.” In The Dialectic of Sex. 3 – 14 2003.

Freeman, Jo. The Politics of Women’s Liberation: A Case Study of an Emerging Social Movement and Its Relation to the Policy Process.  New York: David McKay Company Inc., 1975.

Freeman, Jo (Joreen). “What the Hell Is Women’s Liberation Anyway?” In Voice of the Women’s Liberation Movement, 1;4. Chicago, 1968.

Friedan, Betty. “Now Statement of Purpose.” In It Changed My Life. 109 – 15. Cambridge, MA: Harvard University Press, 1998.

Hole, Judith and Ellen Levine. Rebirth of Feminism.  New York; Tornonto: Quandrangle/The New York Times Book Co., 1973.

Nochlin, Linda. “‘Why Have There Been No Great Women Artists’.” ARTnews, 1971, 22-39.

Peer, Elizabeth, Ann R. Martin, Lisa Whitman and Richard Boeth. “Gloria Steinem: The New Woman.” Newsweek, August 16th 1971, 29 – 33.

Sarachild, Kathie. “‘Consciousness Raising: A Radical Weapon’.” In First National Conference of Stewardesses for Women’s Rights. New York City, March 12, 1973., 1973.

“Top of the Week.” Newsweek, March 23 1970 1970, 3.

“Who We Are: Description of Women’s Liberation Groups.” In National Women’s Liberation Conference. Lake Villa, IL, 1968.

The Women’s Movement: Secondary Sources

Baxandall, Rosalyn and Linda Gordon “‘Introduction’.” In Dear Sisters: Dispatches from the Women’s Liberation Movement, edited by Rosalyn and Linda Gordon Baxandall. 1 – 18. New York, NY: Basic Books, 2000.

Baxandall, Rosalyn and Linda Gordon. “‘New Organisational Forms’.” Chap. 3 In Dear Sisters: Dispatches from the Women’s Liberation Movement. : Basic Books, 2000., edited by Rosalyn and Linda Gordon Baxandall. 67 – 83. New York, NY: Basic Books, 2000.

Bradley, Patricia. Mass Media and the Shaping of American Feminism, 1963 – 1975.  Jackson, Mississippi: University Press of Mississippi, 2003.

Carden, Maren Lockwood. The New Feminist Movement.  New York: Russell Sage Foundation, 1974.

Chambers, Deborah, Linda Steiner and Carole Fleming. “Women’s Alternative Print Journalism of the ‘Second’ and ‘Third’Waves.” In Women and Journalism. 160 – 78. London; New York, NY. : Routledge, 2004.

CWLU. “The Cwlu Website Archive.” In Voice of the Women’s Liberation Movement. Chicago, ILL. , 1968-1969.

Davis, Angela Y. . “Other Landscapes.” In Art/Women/California 1950 – 2000: Parallels and Intersections, edited by Diana and Daniela Salvioni Burgess Fuller. 45 – 78. Berkeley; Los Angeles; London: University of California Press; San Jose Museum of Art, 2002.

Deckard, Barbara Sinclair. The Women’s Movement: Political, Socioeconomic, and Psychological Issues. 2nd ed.  New York: London: Harper & Row, 1979.

Echols, Alice. Daring to Be Bad: Radical Feminism in America 1967-1975. American Culture.  Minneapolis; London: University of Minnesota Press, 1989.

Harper, Paula. “The First Feminst Art Program: A View from the 1980s.” Signs 10, no. 4 (1985): 761 – 81.

Horowitz, Daniel. Betty Friedan and the Making of the Feminine Mystique: The American Left, the Cold War, and Modern Feminism. Culture, Politics, and the Cold War. Edited by Christian G.  Appy Amherst: University of Massachusetts Press, 1998.

Howell, Sharon. Reflections of Ourselves: The Mass Media and the Women’s Movement, 1963 to the Present. . American University Studies Xxvii Feminist Studies.  New York: Peter Lang, 1990.

Ling, Susie. “The Mountain Movers.” In Dear Sisters: Dispatches from the Women’s Liberation Movement, edited by Rosalyn and Linda Gordon Baxandall. 29 – 31? New York, NY: Basic Books, 2000.

Mansnerus, Laura. “Bella Abzug, 77, Congresswoman and a Founding Feminist, Is Dead.” The New York Times, 1st April 1998.

Matthews, Nancy A. Confronting Rape: The Feminist Anti-Rape Movement and the State.  London; New York, NY: Routledge, 1994.

McDonough, Roisin and Rachel Harrison. “‘Patriarchy and Relations of Production’.” In Feminism and Materialism: Women and Modes of Production, edited by Annette Kuhn and AnnMarie Wolpe. 11 – 41. London; Henley; Boston: Routledge and Kegan Paul Ltd, 1978.

Merck, Mandy. “Shulamith Firestone and Sexual Difference.” Chap. Prologue In Further Adventures of the Dialectic of Sex, edited by Mandy Merck and Stella Stanford. 9 – 25. New York: Palgrave Macmillan, 2010.

Moi, Toril. Sexual/Textual Politics. New Accents. Edited by Terence Hawkes London; New York: Methuen & Co. , 1985.

Rosen, Ruth. “The Feminist Revolution in California.” In What’s Going On? California and the Vietnam Era, edited by Marica A. and Charles Wollenberg Eymann. 83 – 97. Berkeley; Los Angeles; London: University of Calfornia Press; Oakland Museum of California, 2004.

Steinem, Gloria. Outrageous Acts and Everyday Rebellions. 2nd ed.  New York: Owl Books, 1995.

Wandersee, Winifred. On the Move: American Women in the 1970s.  Boston, MA: Twayne Publishers, 1988.

The Women’s Film Movement: Primary and Secondary Sources

Bergstrom, Janet et al (Camera Obscura Collective). “‘Feminism and Film: Critical Approaches’.” Camera Obscura 1, no. 1 (1976): 3 – 10.

Citron, Michelle. “‘Feminist Criticism: What It Is Now; What It Must Become’.” The Velvet Light Trap 1, no. 6(?) (1972): 43 – 44

Fell, John L. . “Review: Fall.” Film Quarterly 25, no. 3 (1972): 53 – 55.

Friedberg, Anne. “‘Introduction: Reading Close-up 1927-1933.” In Close-up, 1927-1933: Cinema and Modernism, edited by James Donald, Anne Friedberg and Laura Marcus. 1 – 26? London: Cassell, 1998.

Kinder, Marsha & Beverle Houston. Close-Up: A Critical Prespective on Film.  New York; Chicago; San Francisco; Atlanta: Harcourt, Brace Jovanovich, Inc. , 1972.

Rich, B. Ruby. Chick Flicks: Theories and Memories of the Feminist Film Movement Durham; London: Duke University Press, 1998.

Schwartz, Nancy. “‘The Role of Women in Seven Women’.” The Velvet Light Trap 1, no. 2 (1971): 22 – 24

Tribune, Film Center of the Art Institute & the Chicago. “Films by Women/Chicago’74.” edited by Film Center of the Institute. Chicago, 1974.

Williams, Linda. “‘Third Generation’.” Jump Cut, no. 19 (December 1978): 34-35.

Women’s Film Criticism

Ager, Cecilia. “Mae West Reveals the Foundation of the 1900 Mode.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia and Ingrid Periz Lant. 438 – 40. London; New York: Verso, 2006.

Changas, Estelle. “Elia Kazan’s America.” Film Comment 8, no. 2 (1972): 8 – 14.

Colette. “On Mae West 1934 & 1938.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia and Ingrid Periz Lant. 440 – 42. London; New York: Verso, 2006.

Demming, Barbara. “Love through a Film.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia and Ingrid Periz Lant. 466 – 70. London; New York: Verso.

Guy Blache, Alice. “Alice Blache, a Dominant Figure in Pictures: How a French Woman Came to This Country and Built up a Big Business. Interview by Harvey H. Gates.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia Lant. 656. London; New York: Verso, 1912.

———. “Woman’s Place in Photoplay Production.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia Lant. 657 – 58. London; New York: Verso, 1914.

Haskell, Molly. “Review: Tracy and Hepburn: An Intimate Memoir & Mary Astor: A Life on Film “. Film Comment 8, no. 4 (1972): 65 – 66.

Hastie, Amelie. “Circuits of Memory and History: The Memoirs of Alice Guy-Blache.” In A Feminist Reader in Early Cinema, edited by Jennifer M. Bean and Diane Negra. 29 – 59. Durham; London: Duke University Press, 2002.

Lant, Antonia. “Introduction.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia and Ingrid Periz Lant. 1 – 32. London; New York: Verso, 2006.

McCormick, Ruth. “Review: Woman’s Film.” Cineaste 4, no. 3 (1971): 40 – 41.

Richardson, Dorothy. “Continuous Performance Viii.” Close Up II, no. 3 (1928).

Weber, Lois. “How I Became a Motion Picture Director.” In Red Velvet Seat: Women’s Writings on the First Fifty Years of Cinema, edited by Antonia Lant. 658 – 60. London; New York: Verso, 1915.

Woolf, Virginia. “The Cinema.” In The Crowded Dance of Modern Life, edited by Rachel Bowlby. 54 – 59. London; New York: Penguin, 1926;1993.

Post-War US Film Culture, Criticism and History

Anker, Steve. “Introduction.” In Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945 – 2000, edited by Steve Anker, Kathy Geritz and Steve Seid., 8 – 11. Berkeley; Los Angeles, CA; London: University of California Press: Berkeley Art Museum: Pacific Film Archive, 2010.

———. “‘Radicalising Vision: Film an Video in the Schools.’ “. In Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945 – 2000, edited by Kathy Geritz and Steve Seid. Eds Steve Anker. 152 – 63 Berkeley; Los Angeles, CA; London: University of California Press: Berkeley Art Museum: Pacific Film Archive, 2010.

Barnard, Timothy and Peter Rist, ed. South American Cinema: A Critical Filmography 1915-1994. Austin, TX. : University of Texas Press 1998.

Belton, John. American Cinema; American Culture. 2nd ed.  New York: McGraw-Hill, 2005.

Board, Positif Editiorial. “Letter to the Editor.” Film Comment 8, no. 1 (1972): 74.

Bolas, Terry. Screen Education: From Film Appreciation to Media Studies.  Bristol; Chicago, IL: Intellect Books, 2009.

Bordwell, David. “The Idea of Montage in Soviet Art and Film.” Cinema Journal 11, no. 2 (1972): 9 – 17.

Bordwell, David, Janet Staiger and Kristin Thompson. The Classical Hollywood Cinema.  London: Routeledge & Kegan Paul, [1985] 2006.

Borgzinner, Jon. “‘Made Any Good Movies Lately?’ ” Life October 11th 1968.

Callenbach, Ernest. “Editor’s Notebook.” Film Quarterly 25, no. 1 (1971): 1 – 2.

Carroll, Noel. “Introducing Film Evaluation.” In Reinventing Film Studies, edited by Christine and Linda Williams Gledhill. 265 – 78. London: Arnold, 2000.

Comolli, Jean-Luc and Jean Paul Narboni. “Cinema/Ideology/Criticism.” In Screen Reader 1. 1977.

Cook, David A. . Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam 1970-1979. History of the American Cinema. Edited by Charles Harpole. Vol. 9, New York: Charles Scribner’s Sons, 2000.

Ellis, John. “Introduction.” In Screen Reader 1: Cinema/Ideology/Politics. London: Society for Education in Film and Television; , 1977.

Fensch, Thomas. Films on the Campus.  New York; London: A.S. Barnes, 1970.

Gaines, Jane M. . “Dream/Factory.” In Reinventing Film Studies, edited by Christine and Linda Williams Gledhill. 100 – 13. London: Arnold, 2000.

Gilliat, Penelope. “Penelope Gilliatt: An Interview with James Childs.” Film Comment 8, no. 2 (1972): 22 – 26.

Gomery, Douglas. The Hollywood Studio System: A History.  London: BFI, 2005.

Greensfelder, Linda B. , ed. The Afi’s Guide to College Film Courses 1970-71. 2nd ed. Chicago, IL: American Library Association; American Film Institute, 1970.

Cinema Studies: The Key Concepts. 3rd ed. Abingdon: Routledge, 2006.

Henshaw, Richard. “Women Directors: 150 Filmographies.” Film Comment 8, no. 4 (1972): 33 – 45.

James, David E. The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles.  Berkeley; Los Angeles, CA; London: University of California Press, 2005.

Langford, Barry. Post-Classical Hollywood: Film Industry, Style and Ideology since 1945.  Edinburgh: Edinburgh University Press, 2010.

MacDonald, Scott. “Introduction.” In Canyon Cinema: The Life and Times of an Independent Film Distributor. 1 – 35. Berkeley; Los Angeles; London: University of California Press, 2008.

McBride, Joseph and Michael Willmington. “Film Favourites: Seven Women.” Film Comment 8, no. 1 (1972): 56 – 60.

Middents, Jeffrey Writing National Cinema: Film Journals and Film Culture in Peru.  Lebanon, New Hampshire: Darthmouth College Press; University Press of New England, 2009.

Monaco, Paul. The Sixties: 1960-1969. History of the American Cinema. Edited by Charles Harpole. Vol. 8, New York; Detroit: Charles Scribner’s Sons, 2001.

Nichols, Bill. “The Film School and Political Action.” Cineaste  (1970): 26 – 28; 35 ?

———, ed. Maya Deren and the American Avant-Garde. Berekely; Los Angeles; London: University of California Press, 2001.

Nichols, Bill (William James). “Newsreel: Documentary Filmmaking on the American Left 1971-1975.” University of California, Los Angeles, 1978.

Polan, Dana. “‘Young Art, Old Colleges: Early Episodes in the American Study of Film.’.” In Inventing Film Studies., edited by Lee Grieveson and Haidee Wasson. 93-118. Durham; London: Duke University Press, 2008.

Rosen, Philip Gershon. “The Concept of Ideology and Contemporary Film Criticism: A Study of the Position of the Journal ‘Screen’ in the Conext of the Marxist Theorectical Tradition.” University of Iowa, 1978.

Rosenbaum, Jonathan. “Review: The Citizen Kane Book: “Rasing Kane” by Pauline Kael.” Film Comment 8, no. 1 (1972): 70 – 73.

Sarris, Andrew. “Towards a Theory of Film History.” In Movies and Methods: An Anthology, edited by Bill Nichols. Berkeley; Los Angeles; London: University of California Press, 1976.

Schatz, Thomas. The Genius of the System: Hollywood Filmmaking in the Studio Era.  New York: Pantheon Books, 1988.

Solanas, Fernando and Octavio Getino. “Toward a Third Cinema.” Cineaste IV, no. 3 (1970-71): 1 – 10.

Stam, Robert. Film Theory: An Introduction.  Malden, MA; Oxford: Blackwell, 2000.

Strand, Chick. “Letter.” In Canyon Cinema: The Life and Times of an Independent Film Distributor. 144 – 45. Berkeley; Los Angeles; London: University of California Press, 1972.

White, Mimi. “Movies and the Movement.” In American Cinema of the 1970s: Themes and Variations, edited by Lester D.  Friedman. 24 – 47. Oxford: Berg, 2007.

Young, Colin. “‘U.S. Film Teaching: A Survey.’ “. Film Quarterly 14 no. 3 (1963): 37 – 47.

Zryd, Michael. “‘Experimental Film and the Development of Film Study in America.’ “. In Inventing Film Studies, edited by Lee Grieveson and Haidee Wasson. 182 – 216 Durham; London: Duke University Press, 2008.

The New Left, The Movement & Radical Print Culture in America

Abromeit, John and W. Mark Cobb. “Introduction.” In Herbert Marcuse: A Critical Reader, edited by John and W. Mark Cobb Abromeit. 1 – 39. New York; London: Routledge, 2004.

Anderson, Terry H. . The Movement and the Sixties.  New York; Oxford: Oxford University Press, 1995.

Braunstein, Peter and Michael William Doyle. “Introduction: Historicizing the American Counterculture of the 1960s and ’70s.” In Imagine Nation: The American Counterculture of the 1960s and ’70s, edited by Peter and Michael William Doyle Braunstein. 5 – 13. New York; London: Routledge, 2002.

Davis, Angela Y. “Marcuse’s Legacies.” In Herbert Marcuse: A Critical Reader, edited by John and W. Mark Cobb Abromeit. 43 – 50. New York; London: Routledge, 2004.

Gold, Herbert. “California Left: Mao, Marx Et Marcuse!” Saturday Evening Post, 19 October 1968, 56 – 59.

Greene, John Robert. America in the Sixties. America in the Twentieth Century. Edited by John Robert Greene Syracuse, NY: Syracuse University Press, 2010.

Gross, David. “Toward a Radical Theory of Culture.” Radical America II, no. 6 (1968): 1-14.

Isserman, Maurice and Michael Kazin. America Divided: The Civil War of the 1960s. 2nd ed. 2004.

Kellner, Douglas. “Introduction: Radical Politics, Marcuse, and the New Left.” In The New Left and the 1960s, edited by Douglas Kellner. Collected Papers of Herbert Marcuse, 1 – 37. London; New York: Routledge, 2005.

Kessler, Lauren. The Dissident Press: Alternative Journalism in American History.  `Beverly Hills, CA; London: Sage Publications, 1984.

McAuliffe, Kevin Michael. The Great American Newspaper: The Rise and Fall of the Village Voice.  New York: Charles Scribner’s Sons, 1978.

McMillian, John. Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America.  Oxford; New York, NY: Oxford University Press, 2011.

Newfield, Jack. A Prophetic Minority: The American New Left. The Great Society.  London: Anthony Blond, 1966.

Russell, James W. . “The Origins of New Left Notes.” In,  Next Left Notes (2011). Published electronically March 2 2011. http://antiauthoritarian.net/NLN/?p=900.

Sale, Kirkpatrick. Sds.  New York: Random House, 1973.

Schulman, Bruce J. . The Seventies: The Great Shift in American Culture, Society, and Politics.  Cambridge, MA: Da Capo Press, 2001.

Wheatland, Thomas. The Frankfurt School in Exile.  Minneapolis; London: University of Minnesota Press, 2009.

Wiest, Andrew. The Vietnam War 1956 – 1975. Essential Histories. Edited by Rebecca Cullen New York: Rosen, 2009. 2002.

Wollenberg, Charles. “California and the Vietnam War: Microcosm and Magnification.” In What’s Going On? California and the Vietnam Era, edited by Marica A. and Charles Wollenberg Eymann. 13 – 22. Berkeley; Los Angeles; London: University of Calfornia Press; Oakland Museum of California, 2004.

California History, Politics & Culture

Chadwick, Whitney. “Reflecting on History as Histories.” In Art/Women/California 1950 – 2000: Parallels and Intersections, edited by Diana and Daniela Salvioni Burgess Fuller. 19 – 42. Berkeley; Los Angeles; London: University of California Press, 2002.

Eymann, Marcia A. “Introduction: What’s Going On? .” In What’s Going On? California and the Vietnam Era, edited by Marica A. and Charles Wollenberg Eymann. 1 – 11. Berkeley; Los Angeles; London: University of Calfornia Press; Oakland Museum of California, 2004.

Fregoso, Rosa Linda. “California Filming: Re-Imagining the Nation.” In Art/Women/California 1950 – 2000: Parallels and Intersections, edited by Diana and Daniela Salvioni Burgess Fuller. 257 – 74. Berkeley; Los Angeles; London: University of California Press; San Jose Museum of Art, 2002.

Gilbert, Marc Jason. “Next Stop – Silicon Valley: The Cold War, Vietnam, and the Making of the California Economy.” In What’s Going On? California and the Vietnam Era, edited by Marcia A. Eymann. 23 – 41. Berkeley; Los Angeles; London: University of Calfornia Press; Oakland Museum of California, 2004.

Jones, Amelia, Daniela Salvioni and Diana Burgess Fuller. “Burning Down the House: Feminist Art in California; an Interview with Amelia Jones.” In Art/Women/California 1950 – 2000: Parallels and Intersections, edited by Diana and Daniela Salvioni Burgess Fuller. 163 – 76. Berkeley; Los Angeles; London: University of California Press; San Jose Museum of Art, 2002.

Lustig, Jeffrey R. . “The War at Home: California’s Struggle to Stop the Vietnam War.” In What’s Going On? California and the Vietnam Era, edited by Marica A. and Charles Wollenberg Eymann. 59 – 81. Berkeley; Los Angeles; London: University of Calfornia Press; Oakland Museum of California, 2004.

McBride, David. “Death City Radicals: The Counterculture in Los Angeles.” In The New Left Revisited, edited by John and Paul Buhle McMillian. Critical Perspectives on the Past, 110 – 36. Philadelphia: Temple University Press, 2003.

Meyer, Laura. “Constructing a New Paradigm: European Women Artists in California, 1950 – 2000.” In Art/Women/California 1950 – 2000: Parallels and Intersections, edited by Diana and Daniela Salvioni Burgess Fuller. 97 – 119. Berkeley; Los Angeles; London: University of California Press; San Jose Museum of Art, 2002.

Phillips, Sandra S. . “Women Artists in California and Their Engagement with Photography.” In Art/Women/California 1950 – 2000: Parallels and Intersections, edited by Diana and Daniela Salvioni Burgess Fuller. 241 – 56. Berkeley; Los Angeles; London: University of California Press; San Jose Museum of Art, 2002.

Stadtman, Verne A. The University of California: 1868-1968.  New York et al: McGraw-Hill Book Company, 1970.

Tygiel, Jules. “Ronald Reagan and the Triumph of Conservatism.” In What’s Going On? California and the Vietnam Era, edited by Marcia A. Eymann. 43 – 57. Berkeley; Los Angeles; London: University of Calfornia Press; Oakland Museum of California, 2004.

Wollenberg, Charles. Berkeley: A City in History.  Berkeley; Los Angeles; London: University of California Press, 2008.

Models and Methodology

Allen, Gwen. Artist’s Magazines: An Alternative Space for Art.  Cambridge, MA: MIT Press, 2011.

Althusser, Louis. “On the Materialist Dialectic.” Translated by Ben Brewster. In For Marx. Radical Thinkers, 162 – 218. London; New York: Verso, 1963. Reprint, 2005.

———. “To My English Readers.” Translated by Ben Brewster. In For Marx. Radical Thinkers, 9 – 15. London; New York: Verso, 1967. Reprint, 2005.

———. Essays in Self-Criticism. Translated by Grahame Lock.  London: NLB, 1976.

Anderson, Perry. “In the Tracks of Historical Materialism.” In Wellek Library Lecture. University of California at Irvine: Verso, 1983.

Bickerton, Emilie. A Short History of Cahiers Du Cinema.  London: New York: Verso, 2009.

Bolas, Terry. Screen Education: From Film Appreciation to Media Studies.  Bristol; Chicago, IL: Intellect Books, 2009.

Balibar, Etienne. “The Non-Contemporaneity of Althusser.” In The Althussarian Legacy, edited by E. Ann and Sprinker Kaplan, Michael, 1 – 16. State University of New York: Verso, 1993.

Bluhm, Erik. “Minimalism’s Rubble: On William Leavitt’s and Bas Jan Ader’s Landslide (1969-70).” ArtUS, October/November 2005, 14 – 17.

Brand, Victor. “Introduction.” In In Numbers: Serial Publications by Artists since 1955, edited by Andrew Roth. 25 – 32. Zurich, Switzerland: PPP Editions; Andrew Roth Inc, 2009.

Callinicos, Alex. Althusser’s Marxism.  London: Pluto Press, 1976.

Choat, Simon. Marx through Post-Structuralism. Continuum Studies in Continental Philosophy. Edited by James Fieser London; New York: Continuum, 2010.

Oxford English Dictionary. 2nd ed. (version Online). Oxford: Oxford University Press, 1989.

Elliott, Gregory. Althusser: The Detour of Theory.  London; New York: Verso, 1987.

Guest, Haden. “‘Experimentation and Innovation in Three American Film Journals of the 1950s.’.” In Inventing Film Studies, edited by Lee Grieveson and Haidee Wasson. 235 – 63. Durham; London: Duke University Press, 2008.

Kellner, Douglas. “Introduction to the Second Edition.” In One-Dimensional Man. Routledge Classics, xi – xxxviii. Abingdon: New York: Routledge, 2002.

Maltby, Richard. “Reviews: Terry Bolas, Screen Education: From Film Appreciation to Media Studies.” Screen 51, no. 4 (2010): 422 – 26.

Marcuse, Herbert. One-Dimensional Man. Routledge Classics.  Abingdon; New York: Routledge, 2002. 1964.

Merck, Mandy. “‘Mulvey’s Manifesto.’ “. Camera Obscura 22, no. 3 (2007).

Morris, Robert. “Notes on Sculpture, Part 3: Notes and Nonsequiturs.” Artforum, 1967, 24 – 29.

Mulhern, Francis. The Moment of Scrutiny.  London: Verso, 1981. 1981. 1979.

Mulhern, Francis. “Preface.” In The Moment of ‘Scrutiny’. London: Verso, 1981.

Newman, Amy. Challenging Art: Artforum 1962-1974.  New York: Soho Press, 2000.

Turchetto, Maria. “History of Science and the Science of History.” In The Althussarian Legacy, edited by E. Ann and Sprinker Kaplan, Michael, 74 – 80. State University of New York: Verso.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s